You can't say this is a story about The Daily GRIND.
WIFE rhymes with KNIFE.
If a movie will be made about this, the man should portray himself -he is CUT for this role.
Catherine Kieu Becker - she didn't have an AXE to grind (or did she?), so...you know...she decided to grind something else.
There is no movie called "Bend it like Becker". That just...doesn't cut it.
California woman accused of slicing off husband's penis | Reuters
"Ms Becker was arrested on suspicion of
aggravated mayhem,
false imprisonment,
assault with a deadly weapon,
administering a drug with intent to commit a felony,
poisoning and
spousal abuse."
http://www.bbc.co.uk/news/world-us-canada-14131133
As his body was drugged and laid horizontally, his thing became "a cut above the rest" of the body.
She partitioned his Hard Drive.
She suffered the rigors of a Penile System? Now she will suffer the rigors of the Penal System.
As for the "fresh cut" object of non-desire - one rigor that it didn't suffer was the Rigor Mortis.
"You're grounded!" - that's one classic punishment for unruly behavior.
She thought that his thing should be at her disposal, so she exhausted it.
When he woke up, he surveyed the scene with a sense of...detachment.
Is she the first woman in history to find herself on the...cutting edge, when dealing with a presumably stronger man? Nah...
"Baudry, Paul Jaques Aimé (1860): under the Second Empire, Marat was seen as a revolutionary monster and Corday as a heroine of France, represented in the wall-map."
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[edit]Summary
| Artist |
| ||||
| Title | English: Charlotte Corday Français : L'Assassinat de Marat / Charlotte Corday Deutsch: Charlotte Marie-Anne Corday | ||||
| Date | |||||
| Medium | Oil on canvas | ||||
| Dimensions | H. 203, L. 154 | ||||
| Current location |
| ||||
Nantes, France | |||||
| Accession number | 802 | ||||
| Notes | |||||
| Source/Photographer | |||||
| Permission (Reusing this file) | See below. | ||||
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain, and that claims to the contrary represent an assault on the very concept of a public domain". For details, seeCommons:When to use the PD-Art tag. Please be aware that depending on local laws, re-use of this content may be prohibited or restricted in your jurisdiction. SeeCommons:Reuse of PD-Art photographs.This photographic reproduction is therefore also considered to be in the public domain. العربية | Беларуская (тарашкевіца) | Български | Català | Česky | Deutsch | Ελληνικά | English | Español | Eesti | فارسی | Suomi | Français | עברית | Magyar | Հայերեն |Bahasa Indonesia | Italiano | 日本語 | 한국어 | Македонски | മലയാളം | Plattdüütsch | Nederlands | Polski | Português | Português do Brasil | Română | Русский |Slovenščina | Српски / Srpski | Basa Sunda | Svenska | ไทย | Türkçe | Українська | Vèneto | Tiếng Việt | 中文 | 中文(简体) | 中文(繁體) | +/− | ||||
Unlike The California Cutter Catherine Kieu Becker (who was presumably abused), The French Stabber Charlotte Corday was never-used, mint-in-box, VIRGO INTACTA.
But still, she decided to stab Marat to death.
"Marie-Anne Charlotte de Corday d'Armont (27 July 1768 – 17 July 1793), known to history as Charlotte Corday, was a figure of the French Revolution.
In 1793, she was executed under the guillotine for the assassination of Jacobin leader Jean-Paul Marat, who was partly responsible for the Reign of Terror.
His murder was memorialized in a celebrated painting by Jacques-Louis David which shows Marat after Corday had stabbed him to death in his bathtub.
In 1847, writer Alphonse de Lamartine gave Corday the posthumous nickname l'ange de l'assassinat (the Angel of Assassination)."
Adding insult to the injury: Legros slapped her beheaded head
"At her trial, Corday testified that she had carried out the assassination alone, saying "I killed one man to save 100,000." It was likely a reference to Maximilien Robespierre's words before the execution of King Louis XVI. On 17 July 1793, four days after Marat was killed, Corday was executed under the guillotine and her corpse was disposed of in the Madeleine Cemetery.
After her decapitation, a man named Legros lifted her head from the basket and slapped it on the cheek.[6] Witnesses report an expression of "unequivocal indignation" on her face when her cheek was slapped. This slap was considered unacceptable and Legros was imprisoned for three months because of his outburst.
Jacobin leaders had her body autopsied immediately after her death to see if she was a virgin. They believed there was a man sharing her bed and the assassination plans. To their dismay, she was found to be virgo intacta(a virgin), a condition that focused more attention on women throughout France—laundresses, housewives, domestic servants—who were also rising up against authority after having been controlled by men for so long.[8]
The assassination did not stop the Jacobins or the Terror: Marat became a martyr, and busts of him replaced crucifixes and religious statues that had been banished under the new regime."
Who's the (male) DOG, and who's the (female) DOG, in any couple?
Hard to say.
Speaking about "female dog"...it's always interesting to learn about the meaning of words.
For example, from Wiktionary:
"
bitch
Contents[hide] |
Usage notes
- The derogatory tone of the noun bitch is sometimes diffused by intentional colloquial overuse or misuse. In print, the noun referring to a person is demeaning and sometimes implies that the person being insulted is subservient.
- In professional circles, the noun bitch is sometimes used to refer to intelligent and ambitious women with a high level of sex-appeal who use those qualities to achieve their goals.
- In the sense of an aggressive woman, this term is generally derogatory when used by men (and often when used by women), but, it is also used by some women to refer to themselves positively in a form of reclamation. It is important to note that many people do not believe that "bitch" is able to be reclaimed, because of its continued pejorative usage. Thus, the term is both potentially liberatory while also being controversial."
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